304 members signed-up
22nd January
The festival, directed by Emir Kusturica, will bring a diverse selection of films by emerging directors and established filmmakers to the Serbian mountains
22nd January
The Berlinale’s second most popular section is hosting 51 films from 33 countries: 34 fictions, including 19 European (co-)productions, and 17 documentaries, 14 of which are European (co-)productions
22nd January
Films by Cristian Mungiu, Cristi Puiu, Radu Jude and former audience darling Nae Caranfil are set to premiere in 2016
22nd January
Felix Van Groeningen lives for the night, a world of dreams and debauchery, energised by the original, rich, intense and bountiful score by Soulwax
21st January
With over 2.25 million admissions, the 2010 record has been shattered by 150,000 viewers (+7%); FC de Kampioenen 2 leads the pack with more than 650,000 admissions
21st January
Agnus Dei and Halal Love (and Sex) are on the Paris-based international sales agent’s line-up in Park City
21st January
On 21 March, Erik Van Looy will begin the shoot for his next feature, De Premier, starring such names as Koen De Bouw
21st January
The latest film by Swiss director Alain Gsponer is enjoying huge success in German, Austrian, Portuguese and Swiss cinemas, and it’s just getting started
21st January
News from Planet Mars and Saint amour will screen out of competition, while two more minority French co-productions will be vying for the Bear
21st January
The Swedish actor, soon to be seen in three international features, leaves the Beck TV series after almost 20 years
21st January
Young filmmaker Asmara Beraki is preparing her ambitious feature debut
20th January
The last eight titles in the Competition selection of the 66th Berlinale hail from all over the world: Germany, France, Belgium, Tunisia and China, to name a few
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'The Film Festival Academy has my full support. It is amazing that in a market overflowing with all kinds of professional training it has taken until today to come up with a simple and great idea: high level opportunities for the exchange of ideas and programmes for learning more about the complex art and the technical skills of running a film festival. Anybody who has participated in any of the rather dubious endeavours that were made in this field before will appreciate the non-profit approach of the Film Festival Academy; anybody who knows its founders will trust their professional knowledge and personal integrity. I will support the Film Festival Academy in every possible way.'
'The Film Festival Academy offers a much needed interchange of views between filmmakers, festival programmers and academics doing research on film festivals. That this interchange takes place not in the academy but at festivals themselves will be a huge boon to film festival scholarship and to an important sharing and deepening of the perspective of those interested in not only theorizing but also intervening in the continued growth of these events which play such a crucial part in the disseminating of a global cinema and in the breaking down of commerical barriers.'
'The creation of the Film Festival Academy is a very important step in the ongoing process of consolidation and exchange on the European festival scene. I wish all possible success to this important initiative.'
'The Film Festival Academy has a great potential to become a truly valid platform for creative film festival professionals willing to share knowledge and experience on a collaborative basis. This initiative should be welcomed with enthusiasm and excitement.'
'The role of the film festival in today's digital world is constantly being re-evaluated and debated, but it's clear that film festivals are still as relevant and important as they have ever been. The Film Festival Academy should provide an important focus for the rich and diverse amount of film festivals in the world while giving festival practitioners an important outlet for networking and collaboration.'
'The inauguration of the Film Festival Academy brings important and long overdue attention to film festivals as cultural locations for the traffic in filmmaking, from glitterati events with red carpets, to those that shed light on human rights abuses, to the world-building projects of activist communities.'
'To focus on film festivals, not in opposition to but in articulation with critical and scholarly thought, is what world cinema needs in order to be understood in all its complexity. The Film Festival Academy deserves our applause and support for providing, for the first time, a common platform for festival professionals, critics and passionate spectators.'
'The new Film Festival Academy initiative is to be very much welcomed by all film festival professionals and anyone interested and involved in the increasingly central role played by film festivals in the international cinema industry; this is definitely the right thing at the right time and promises to be an exciting and important development that will be of great service to all of us working in the film festival arena.'
'Do Film Festivals need an Academy in this day and age? The answer is, resoundingly, yes! A complex mixture of the professional and the cultural, the economic and the cinephilic, film festivals today are increasingly complex beasts – and no festival is an island unto itself. Connected in a tight web of international exchanges, comparisons and manœuvres, festivals are all about giving value to particular films or particular types of films – and finding, or creating, the audiences for them. The new Film Festival Academy is ideally placed to integrate the already widely scattered field of researches, discussions, trainings and co-operative interrelationships occurring within and between the literally thousands of film festivals in the modern globe. It is a new world on every level – from the challenge of projection formats to the politics of curating – and the Film Festival Academy will open the doors to it.'
'The unswerving positive response from film festivals, professionals and academics regarding the launch of the Film Festival Academy comes as no surprise. Sharing between academia and industry is essential in developing highly-trained film professionals and we look forward to the collaboration between film schools, film institutes, festivals and other film industry partners through this unique platform.'
'The enormous growth of film festivals – in number, location, diversity, and artistic influence – is accelerating by the day. But not until now has their importance to global culture been matched by an organization with the cinematic acumen, media savvy, networking skills, and expert leadership needed to provide top-level support, training, information, and connectivity for participants in all areas of festival activity, from programmers and publicists to filmmakers, academics, and critics. The arrival of the Film Festival Academy is the most exciting development in years for moving-image professionals everywhere.'
To become a member, please read the descriptions of the two levels of membership to select which one better fits your needs, and then select one of the them. You will be redirected to a registration page where you will create your Film Festival Academy account, and will soon begin to benefit from the many advantages afforded by membership.
The two kinds of membership are:
BASIC (free)
PREMIUM (€90 per year, or €60 per year if taken out before 31 December 2012)
To become a member, please click below: